Pioneers of the Feminist Art Movement: Rachel Rosenthal
Otis College of Art and Design presents Pioneers of the Feminist Art Movement: Rachel Rosenthal. This video is part of a series of Oral Histories about early feminist artists produced on the occasion of Doin' It in Public: Art and Feminism at the Woman's Building Ben Maltz Gallery October 1, 2011 – January 28, 2012. In conjunction with the Getty Foundation's larger initiative, Pacific Standard Time: Art in L.A. 1945–80, which highlights the Post World War II Los Angeles art scene.
Mojo Rising features Betye Saar’s ongoing mojo focus, and local artists who are inspired by these ideas to create cultural narratives and engaging objects that challenge normalizing tropes, and reveal practices influenced by Saar’s ceaseless commitment to making, sharing, teaching and encouraging artists in Los Angeles and beyond.
Every Eye Open
Jeffrey Gibson speaks about his ceramic works featured in Every Eye Open, as part of Roberts Projects participation in Gallery Platform LA, August, 2020. Gibson fashions his ceramics in the style of early Mississippian culture ceramic “head pots,” paying due to the complexities of American history by accessing a less prominent ceramics tradition.
Dior: Portrait of an Artist
Dior men’s Artistic Director Kim Jones collaborates with the Ghana-born, Vienna-trained artist Amoako Boafo through an intimate, all-encompassing and honest cultural conversation that began in 2019. Their meeting at the Rubell Museum in Miami was artistic love at first sight; Kim Jones and Amoako Boafo have a true mutual admiration for each other’s work.
500 Years of Art: Summer Talks: Kehinde Wiley and the Duke of Devonshire
As part of Sotheby's 500 Years of Art: Summer Talks series, Kehinde Wiley and the Duke of Devonshire explore the ways in which contemporary artists are inspired and influenced by the great art of the past, referencing it to explore ideas about identity, status and culture.
Gallery Platform LA Studio Visit
Renowned artist Betye Saar defies description and categorization in her mixed media practice, which deals with her travels and personal history, politics, spirituality, and race. Saar is well known for her pioneering collage and assemblage-work in the late 1960s and 70s. In this visit, the groundbreaking artist talks about her sketchbooks and making art from “anything”—true to her assemblage-dominant practice.
Call and Response Exhibition Walkthrough
The exhibition "Betye Saar: Call and Response" looks at the relationship between found objects, sketches the artist then makes in small sketchbooks--which Betye Saar has made throughout her career--and finished works. In this short video LACMA’s Senior Curator of Modern Art and organizing curator of the exhibition, Carol S. Eliel, shares a few highlights from this rare look into a process that has spanned Saar’s entire career.
She Never Dances Alone
A multi-channel video created specifically for the screens of Times Square, She Never Dances Alone (2019) is Jeffrey Gibson’s celebration of the Indigenous matriarchy, centering on the jingle dress dance, a powwow dance that originated with the Ojibewea tribe and is traditionally performed by women to call upon ancestors for strength, healing, and protection. This Midnight Moment is presented with the Brooklyn Museum on the occasion of Gibson’s exhibition When Fire Is Applied to a Stone It Cracks.
The World Stage Israel
Kehinde Wiley, who traveled to Tel Aviv and Jerusalem, discusses his connection and engagement with the world through "The World Stage" series. Through Wiley’s comprehensive exchange, the artist’s contemporary yet historical oeuvre accentuates international cultures and their denizens, evoking discourse on an ever-expanding examination of globalization.
Zhao Zhao's "Repetition" takes its form as a cube composed of smaller stone blocks, originally sourced from found demolished Buddha sculptures destroyed in the aftermath of Mao’s Cultural Revolution. Zhao Zhao amassed a collection of dilapidated relics, later cutting them down to their largest quadrilateral shape. The ensuing pieces were then assembled to form a sculptural whole, carefully obscuring the original sources. The end result - a perfect cube - embodies the persistence of beliefs, however abstract, despite their altering forms and how authority and its power is projected through the aesthecization of discourse.
One Becomes the Other
Jeffrey Gibson's "One Becomes the Other” (2014–2018) is set in the Native American archives and art storage of the Denver Art Museum. We see a man speaking Kiowa pick up a hand drum from a shelf and begin to play. A woman in a long, white dress with colorful patterns enters the halls, dancing in time. There is an improvised moment where an art handler asks to participate in the filming. He opens a drawer, and finds a Navajo weaving comb like his grandmother’s. He talks to the comb as if it is his deceased grandmother, bringing himself to tears. The sleeping objects are understood as living.
Studio Visit, May 2020
Daniel Crews-Chubb gives a tour of his South London studio in this video offering an intimate glimpse into the mixed-media artist's work and the artist's upcoming project Chariots commissioned by English Heritage to be on view at Wellington Arch.
The Yellow Wallpaper
A behind the scenes look at Kehinde Wiley’s working process for his current exhibition The Yellow Wallpaper on view at William Morris Gallery, London (February 22 - July 12, 2020). The film follows Wiley as he travels the streets of Dalston, East London to cast for a new body of work featuring female subjects and includes CCH Pounder's narration of American novelist Charlotte Perkins Gilman’s iconic The Yellow Wallpaper (1892). The effect is that of examining the complex role of social class, status, religion, colonialism and the negotiation of gender.
I Was Here
Jeffrey Gibson's I Was Here (2018) mixes documentary and dramatic styles and centers on Macy, a transgender woman and a member of the Choctaw Nation. Blurring the lines between a mystical, natural setting and Macy's daily reality, Gibson's film examines the private and personal routines of transformation and self. The film's location, the Choctaw reservation in central Mississippi where Gibson's family is from, plays a significant role in the film's blend of spirituality, ritual, and the fantastical. The film was commissioned by the Ruth and Elmer Wellin Museum of Art at Hamilton College for Gibson's 2018 exhibition This Is the Day.
Taking Care of Business | LACMA Art + Film
At 93, there’s no stopping when it comes to the legendary artist Betye Saar. Produced by LACMA Productions this documentary features the artwork of Betye Saar along with interviews and rare footage from the artist's archives.
In the Studio with Evan Trine
Evan Trine interviews Evan Trine in this surreal video offering a glimpse into the artist’s studio practice and his upcoming solo exhibition at Roberts Projects. Full of humorous anecdotes and sincere moments, Trine thoughtfully lays out his working practice in depth. The video’s spy vs spy format circles back on use of abstraction in his practice, where he downplays the physical body as the sole signifier of personal identity.
The concept that painting can exist as an energized and haptic environment into which the artist transforms performative gestures into elliptical structures is at the heart of Evan Nesbit's art-making practice. Nesbit speaks about his process and upcoming exhibition at Roberts Projects.
Smile is a four-channel video artwork Kehinde Wiley began while completing his MFA at Yale University in 2001. The artist revisited the project 15 years later, once again asking young men he found on the streets of New York to smile unceasingly in front of a camera for one hour. Within the video, the young men can be seen stoically submitting to discomfort and humiliation as their expressions distort under the pain and duress of the pursuit to appear happy.
CBS Sunday Morning
In recent months 93-year-old artist Betye Saar has been cast in the spotlight, with glowing reviews for major shows at New York City's Museum of Modern Art and at the Los Angeles County Museum of Art. Saar's primary art form is assemblage – sculptures made from found items that she pieces together, often addressing spirituality and black oppression – that turn the ordinary into the extraordinary. Correspondent Serna Altschul reports.
Gallery Visit: Iranian American artist Ardeshir Tabrizi reaching back to his roots
Los Angeles based Iranian American artist Ardeshir Tabrizi weaves historical and modern-day narratives in his Persian-inspired stitch paintings.
The Legends of Black Girl’s Window | MoMA Exhibition
After nearly a decade of focused work in printmaking, artist Betye Saar created her autobiographical assemblage Black Girl’s Window in 1969. This exhibition explores the relation between her experimental print practice and the new artistic language debuted in that famous work, tracing themes of family, history, and mysticism, which have been at the core of Saar’s work from its earliest days. Celebrating the recent acquisition of 42 rare, early works on paper, this is the first dedicated examination of Saar’s work as printmaker. "Betye Saar: The Legends of Black Girl's Window" is on view at The Museum of Modern Art through January 4, 2020
Amoako Boafo is an award-winning portraiture and figurative painter from Ghana, Africa who is based in Vienna, Austria. He came to Los Angeles, California in 2019 as part of an artist-in-residency program. Here he shares his challenges and hopes.
This Is the Day
Jeffrey Gibson: This Is the Day Curated by Johnson-Pote Director Tracy L. Adler Videoography by Brett Novak Jeffrey Gibson’s multidisciplinary practice encompasses a wide range of mediums and draws on a variety of influences and visual languages to comment on race, sexuality, religion, and gender, among other topical issues. Combining popular and queer culture with references to Native American history and current events, Gibson reflects on his Choctaw and Cherokee heritage as a means of exploring the significance, traditions, and rituals of personal adornment and identity.
You Cannot Separate Art From Politics, Interview, Beijing
A prominent member of the post-1980s generation of Chinese artists and a former assistant of Ai Wewei, the Beijing artist talks about his visually stunning, anti-authoritarian and provocative work. Lilly Wei talked to the artist in his Beijing studio in 2015.
Egan Frantz in his Brooklyn studio, speaking of sculpture as the highest form of art while explaining the process behind his baguette sculptures. His work is featured at the Essl Musuem's, New York' show in 2012.
Directed by Mike Mills. Deformer (2000) features artist and professional skateboarder Ed Templeton and his wife Deanna. Giving an intimate look at the artist's multifaceted practice.